1
00:00:05,634 --> 00:00:06,601
>>BUT I'M NEVER GOING TO
METER WITH
2
00:00:06,734 --> 00:00:07,834
INNOCENT PEOPLE, OLEG.
3
00:00:07,968 --> 00:00:08,868
IT'S NOT VALID. WITH FAMILIES,
4
00:00:09,000 --> 00:00:09,701
NO.
5
00:00:09,834 --> 00:00:11,000
>>YOU STILL HAVE THE HEART
6
00:00:11,133 --> 00:00:12,968
SOFT.
7
00:00:13,133 --> 00:00:16,734
[♪]
8
00:00:17,033 --> 00:00:19,200
>>THEY HAVE TO LEAVE THE HOUSE.
9
00:00:19,834 --> 00:00:22,534
[♪]
10
00:00:24,234 --> 00:00:26,100
[crash of broken glass]
11
00:00:27,601 --> 00:00:28,534
>>BUT HOW HAVE I NOT
12
00:00:28,667 --> 00:00:29,667
CAUGHT BEFORE?
13
00:00:29,801 --> 00:00:30,767
Martin: WHAT?
14
00:00:30,901 --> 00:00:31,934
>>MARTIN, CALL A JUDGE AND ASK
15
00:00:32,133 --> 00:00:33,000
A SEARCH WARRANT.
16
00:00:33,133 --> 00:00:34,367
>>OK.
17
00:00:35,434 --> 00:00:37,300
>>AND BEST OF ALL: THEY FIT ME
18
00:00:37,434 --> 00:00:38,367
SIX LIVES TO FIND A
19
00:00:38,501 --> 00:00:40,601
TERESA MENDOZA.
20
00:00:41,834 --> 00:00:43,400
>>MEXICAN, THEY BROUGHT YOU
21
00:00:43,534 --> 00:00:45,000
THIS ENVELOPE.
22
00:00:46,133 --> 00:00:50,167
[♪]
23
00:00:50,300 --> 00:00:52,100
[Screams and exclamations]
24
00:00:52,234 --> 00:00:53,667
>>I HAVE DONE NOTHING!
25
00:00:53,801 --> 00:00:54,501
Flowers: CHECK EVERYTHING! COME ON!
26
00:00:54,634 --> 00:00:55,701
>>YOU HAVE NO RIGHT TO ENTER
27
00:00:55,834 --> 00:00:57,701
LIKE THIS ON MY PROPERTY!
28
00:00:58,334 --> 00:01:00,067
>>I AM DRIS LARBY. I HAVE
29
00:01:00,200 --> 00:01:02,467
CALLED TO YOU FROM SPAIN.
30
00:01:02,601 --> 00:01:03,767
AND YES I AM VERY NEEDY, AND
31
00:01:03,901 --> 00:01:05,234
YOU ARE THE ONLY PERSON
WHAT CAN
32
00:01:05,367 --> 00:01:07,200
HELP ME.
33
00:01:07,667 --> 00:01:08,868
[Tires squeal]
34
00:01:09,000 --> 00:01:11,400
[Screams]
35
00:01:12,567 --> 00:01:16,300
[♪]
36
00:01:16,434 --> 00:01:17,434
>>HEY, HAVE I TOLD YOU ALREADY THAT I HAVE
37
00:01:17,567 --> 00:01:19,534
HERE IS ONE OF YOUR PILOTS? A
38
00:01:19,667 --> 00:01:21,767
MARIO. JUST NOW I WAS
39
00:01:21,901 --> 00:01:23,300
INTERROGING.
40
00:01:23,434 --> 00:01:24,400
AND THE GUY LOOKS LIKE HE HAS SOME
41
00:01:24,534 --> 00:01:25,467
WANT TO SING. RIGHT,
42
00:01:25,601 --> 00:01:26,534
MARTIN?
43
00:01:26,667 --> 00:01:28,801
>> OF COURSE IT'S TRUE.
44
00:01:29,467 --> 00:01:35,300
[♪]
45
00:01:38,701 --> 00:01:39,534
THAT GUY IS NOT ONE OF THOSE WHO CAN STAND
46
00:01:39,667 --> 00:01:41,868
UNDER PRESSURE, MISS.
47
00:01:42,000 --> 00:01:42,868
ALSO HE DOESN'T WANT TO RETURN TO THE
48
00:01:43,000 --> 00:01:45,467
JAIL, AND WANTS TO NEGOTIATE.
49
00:01:46,167 --> 00:01:47,334
>>I DON'T KNOW WHAT THEY ARE TALKING TO ME ABOUT.
50
00:01:47,467 --> 00:01:50,100
>>I THINK YOU DO KNOW.
51
00:01:51,501 --> 00:01:54,501
>>GOOD AFTERNOON.
52
00:01:54,734 --> 00:01:55,567
>>HAVE YOU SEEN HOW HE REACTED
53
00:01:55,701 --> 00:01:56,567
TO THE MESSAGE?
54
00:01:56,701 --> 00:01:57,534
>> OF COURSE YES.
55
00:01:57,667 --> 00:01:58,701
>>SOMETHING IS HAPPENING TO THAT AUNT
56
00:01:58,834 --> 00:01:59,767
SERIOUS.
57
00:01:59,901 --> 00:02:01,834
>>OLEG, TELL ME WHAT YOU HAVE AT
58
00:02:01,968 --> 00:02:03,434
BOY, PLEASE.
59
00:02:03,567 --> 00:02:05,300
>>LISTEN TO ME, TESA. WHEN
60
00:02:05,434 --> 00:02:07,100
THEY ARRIVED IT WAS ALREADY
TOO LATE.
61
00:02:07,234 --> 00:02:09,200
HE IS KIDNAPPED.
62
00:02:09,334 --> 00:02:10,200
Teresa: IT CAN'T BE! HOW WHAT?
63
00:02:10,334 --> 00:02:12,601
DID THEY TAKE IT? WHO IS IT?
64
00:02:12,734 --> 00:02:14,300
>>I WARNED YOU, TESA.
65
00:02:14,434 --> 00:02:16,901
Teresa: THE TURKS.
66
00:02:17,033 --> 00:02:24,033
[♪]
67
00:02:30,367 --> 00:02:34,234
[Cell phone rings]
68
00:02:34,868 --> 00:02:37,667
>>MOHAMED?
69
00:02:38,334 --> 00:02:39,901
BOY, WHAT'S GOING ON?
70
00:02:40,033 --> 00:02:41,934
MOHAMED? MOHAMED,
BUT YOU DON'T
71
00:02:42,067 --> 00:02:44,234
IS HE IN SCHOOL?
72
00:02:44,501 --> 00:02:45,434
OH, CHILD, I DON'T LISTEN TO YOU AT ALL.'
73
00:02:45,567 --> 00:02:47,834
STOP PLAYING WITH ER MOBILE, HUH?
74
00:02:47,968 --> 00:02:49,200
OH! WELL, COME ON, THEN WE'LL
75
00:02:49,334 --> 00:02:50,267
WE'LL SEE AT HOME, HUH? WHAT
I HAVE A
76
00:02:50,400 --> 00:02:51,400
LOTS OF THINGS I DO'.
77
00:02:51,567 --> 00:02:53,534
I LOVE YOU. I DON'T HEAR YOU AT ALL.
78
00:02:53,667 --> 00:02:54,634
COME ON, A KISS. GOODBYE, MY
79
00:02:54,767 --> 00:02:57,167
CHILD.
80
00:02:57,367 --> 00:02:58,300
TO'ER DAY PLAYING WITH HIM
81
00:02:58,434 --> 00:03:00,901
PHONE. WHAT A BOY!
82
00:03:01,334 --> 00:03:07,801
{\an8}[♪]
83
00:03:08,801 --> 00:03:10,100
>>DOLLAR EXCHANGE IN THE
84
00:03:10,234 --> 00:03:11,167
CULIACÁN MARKET, THAT'S WHAT
85
00:03:11,300 --> 00:03:12,701
WHAT HE WAS DOING.
86
00:03:13,200 --> 00:03:14,701
OR AT LEAST THAT'S THE JOB THAT
87
00:03:14,834 --> 00:03:17,000
I KNEW HIM.
88
00:03:17,167 --> 00:03:18,100
BUT FROM THERE TO EVERYTHING YOU
89
00:03:18,234 --> 00:03:20,801
TELL ME, THERE IS A
HUGE BRIDGE.
90
00:03:20,934 --> 00:03:21,868
WELL THE TRUTH I DON'T KNOW WHAT
91
00:03:22,000 --> 00:03:23,667
TELL YOU, SIR.
92
00:03:23,801 --> 00:03:25,601
BUT LET'S SEE, TELL ME ONE THING. YES
93
00:03:25,734 --> 00:03:27,200
YOU MADE THIS JOURNEY SO LONG
94
00:03:27,334 --> 00:03:28,100
UNTIL HERE, UNTIL MEXICO, IS
95
00:03:28,234 --> 00:03:30,534
SOMETHING, RIGHT?
96
00:03:30,834 --> 00:03:32,200
WHAT DO YOU WANT FROM ME?
97
00:03:32,334 --> 00:03:33,767
>>THE ONLY THING I WANT IS FOR
98
00:03:33,901 --> 00:03:34,968
YOU HELP ME SAVE FROM
99
00:03:35,100 --> 00:03:36,901
TERESA MENDOZA.
100
00:03:37,033 --> 00:03:38,801
>>TO SAVE HIM? AND WHAT CAN I
101
00:03:38,934 --> 00:03:40,200
DO?
102
00:03:40,334 --> 00:03:42,534
>>YOU... CAN DO A LOT.
103
00:03:42,701 --> 00:03:43,667
I DON'T KNOW WHY TERESA
104
00:03:43,801 --> 00:03:44,801
MENDOZA CANNOT RETURN HERE TO
105
00:03:44,934 --> 00:03:46,734
MEXICO.
106
00:03:46,868 --> 00:03:47,801
THEN MEXICO IS THE ONLY PLACE
107
00:03:47,934 --> 00:03:50,100
THAT I AM SURE.
108
00:03:50,234 --> 00:03:52,701
YOU ARE VERY POWERFUL PERSON.
109
00:03:52,834 --> 00:03:54,000
YOU CAN PUT ME
IN CONTACT
110
00:03:54,133 --> 00:03:55,767
WITH ENEMIES OF
TERESA MENDOZA.
111
00:03:55,901 --> 00:03:56,868
I'M GOING TO TELL EVERYTHING I
112
00:03:57,000 --> 00:03:58,300
I KNOW HER.
113
00:03:58,434 --> 00:04:01,634
I WANT TO TAKE REVENGE ON HER.
114
00:04:01,767 --> 00:04:02,701
>>BUT LOOK, LORD, WITH EVERYTHING
115
00:04:02,834 --> 00:04:03,834
RESPECT, BUT YOU ARE IN THE
116
00:04:03,968 --> 00:04:06,067
WRONG PLACE.
117
00:04:06,200 --> 00:04:07,667
I ASSURE YOU THAT YOU WILL NOT GO HERE
118
00:04:07,801 --> 00:04:10,133
FIND NOTHING STRANGE.
119
00:04:10,267 --> 00:04:11,434
AND ALSO TERESITA
MENDOZA CAN
120
00:04:11,567 --> 00:04:13,934
COME HERE WHEN YOU WANT.
121
00:04:14,067 --> 00:04:14,868
I WOULD BE UNABLE TO DO ANYTHING TO HIM
122
00:04:15,000 --> 00:04:16,634
TO THAT GIRL, YES SHE WHEN
123
00:04:16,767 --> 00:04:17,734
HE WAS WITH MY GODSON, IT WAS LIKE
124
00:04:17,868 --> 00:04:20,567
MY LITTLE DAUGHTER.
125
00:04:20,901 --> 00:04:23,434
>>NO... I... I DON'T ASK YOU FOR ANYTHING,
126
00:04:23,567 --> 00:04:26,267
REALLY. I DON'T ASK FOR ANYTHING.
127
00:04:26,400 --> 00:04:27,767
THE ONLY THING I WOULD LIKE IS TO GO TO
128
00:04:27,901 --> 00:04:30,334
THE LAND OF TERESA MENDOZA AND
129
00:04:30,467 --> 00:04:32,534
KNOW YOUR PAST.
130
00:04:32,667 --> 00:04:33,767
BECAUSE I AM SURE, SHE
131
00:04:33,901 --> 00:04:36,701
HE IS FLEEING FROM HIS PAST.
132
00:04:38,100 --> 00:04:40,300
>>ARE YOU SURE?
133
00:04:40,601 --> 00:04:43,367
HOW ODD! BECAUSE...
134
00:04:43,501 --> 00:04:44,434
BATMANLITTLE.
135
00:04:44,567 --> 00:04:45,267
>>DON EPIFANIO, I'M LEAVING NOW
136
00:04:45,400 --> 00:04:46,334
CULIACAN. IT JUST PASSED TO
137
00:04:46,467 --> 00:04:48,434
GOODBYE.
138
00:04:48,567 --> 00:04:50,133
>>WELL HOW TIMELY, MI'JITO.
139
00:04:50,267 --> 00:04:54,734
LOOK, THIS IS DRIS LARBY. THE LORD
140
00:04:54,868 --> 00:04:56,534
COMES FROM SPAIN.
141
00:04:56,667 --> 00:04:57,334
>>MUCH PLEASED.
142
00:04:57,467 --> 00:04:59,267
>>AND WELL, SINCE YOU'RE GOING NORTH,
143
00:04:59,400 --> 00:05:00,734
WELL, I'LL GIVE IT TO YOU THERE, RIGHT?
144
00:05:00,868 --> 00:05:02,133
Batman: YES, SKIPPER.
145
00:05:02,267 --> 00:05:03,033
>>THIS MAN WANTS TO GO TO THE
146
00:05:03,167 --> 00:05:05,634
LAND OF TERESA MENDOZA.
147
00:05:05,968 --> 00:05:07,234
[♪]
148
00:05:07,467 --> 00:05:08,467
>>I TAKE IT.
149
00:05:09,000 --> 00:05:09,934
>>VERY GOOD.
150
00:05:10,067 --> 00:05:11,000
Epifanio: I ASSIGN IT TO YOU VERY MUCH,
151
00:05:11,133 --> 00:05:11,801
HUH?
152
00:05:11,934 --> 00:05:12,734
>>DON EPIFANIO... MANY
153
00:05:12,868 --> 00:05:13,767
THANK YOU.
154
00:05:13,901 --> 00:05:14,834
>>TAKE CARE OF YOURSELF... YOU ARE IN GOOD
155
00:05:14,968 --> 00:05:16,434
HANDS, HUH?
156
00:05:16,567 --> 00:05:17,501
Dris: THANK YOU...
157
00:05:17,634 --> 00:05:18,567
REALLY.
158
00:05:18,701 --> 00:05:19,634
>>WE ARE TO SERVE YOU.
159
00:05:19,767 --> 00:05:20,634
Epifanio: I ASSIGN IT TO YOU,
160
00:05:20,767 --> 00:05:21,667
BATMANLITTLE.
161
00:05:21,801 --> 00:05:22,801
>>HOW NOT, SKIPPER.
162
00:05:23,567 --> 00:05:29,567
[♪]
163
00:05:30,167 --> 00:05:30,834
>>THAT MONEY THAT
THEY FOUND ME
164
00:05:30,968 --> 00:05:32,000
I GOT IT FOR THE SALE OF SOME
165
00:05:32,133 --> 00:05:35,100
ENGINES. MAY I TRY IT ON.
166
00:05:35,234 --> 00:05:36,167
A COUSIN BOUGHT THEM FOR ME. YES
167
00:05:36,300 --> 00:05:38,968
THEY WANT WE CAN CALL HIM.
168
00:05:39,100 --> 00:05:40,033
>>UH! AND THE PHOTOS THAT YOU
169
00:05:40,167 --> 00:05:42,434
WE DID WITH TERESA AT THE pier,
WHAT?
170
00:05:42,601 --> 00:05:44,868
>>WHAT IS THE PROBLEM?
171
00:05:45,000 --> 00:05:45,934
IF I KNOW THAT AUNT SINCE
172
00:05:46,067 --> 00:05:48,901
WHICH WAS THE GALLEGO'S WIFE.
173
00:05:49,033 --> 00:05:50,000
SINCE WHEN HAS IT BEEN A CRIME TO HAVE
174
00:05:50,133 --> 00:05:52,367
FRIENDS?
175
00:05:52,501 --> 00:05:53,467
TWO ARE NOT GOING TO JUDGE ME
TIMES BY
176
00:05:53,601 --> 00:05:55,167
THE SAME.
177
00:05:55,300 --> 00:05:57,667
I ALREADY PAID JAIL.
178
00:05:57,801 --> 00:06:01,000
I WANT TO SPEAK WITH MY LAWYER.
179
00:06:01,133 --> 00:06:02,100
>> YOU WON'T MISS YOU
180
00:06:02,234 --> 00:06:03,434
LAWYER, MARIO. AND DO YOU KNOW WHY
181
00:06:03,567 --> 00:06:05,000
WHAT?
182
00:06:05,133 --> 00:06:07,000
BECAUSE I'M GOING TO LET YOU FREE. YOU
183
00:06:07,133 --> 00:06:08,133
YOU HAVE SIGNED YOUR SENTENCE YOURSELF
184
00:06:08,267 --> 00:06:09,534
OF DEATH.
185
00:06:09,667 --> 00:06:10,801
YOU, THE MEXICAN, AND THE REST OF
186
00:06:10,934 --> 00:06:12,234
PILOTS, YOU HAVE DISPLACED THE
187
00:06:12,367 --> 00:06:13,634
TURKS.
188
00:06:13,767 --> 00:06:15,334
YOU HAVE TAKEN THEIR BUSINESS OFF. and
189
00:06:15,467 --> 00:06:16,400
YOU ALREADY KNOW HOW THOSE SPEND IT
190
00:06:16,534 --> 00:06:17,734
UNCLES.
191
00:06:17,868 --> 00:06:18,934
SO I'M GOING TO SIT
192
00:06:19,067 --> 00:06:20,734
QUIETLY IN MY OFFICE
193
00:06:20,868 --> 00:06:21,834
WAIT FOR THE NEWS OF YOUR
194
00:06:21,968 --> 00:06:24,634
DECAPITATION.
195
00:06:26,234 --> 00:06:27,634
MARTIN, LET THIS ONE FREE
196
00:06:27,767 --> 00:06:30,767
CORPSE WITH LEGS.
197
00:06:31,467 --> 00:06:33,868
Martin: STAND UP!...
198
00:06:34,367 --> 00:06:39,267
[♪]
199
00:06:43,067 --> 00:06:50,067
[♪]
200
00:06:57,834 --> 00:07:00,534
[Laughs]
201
00:07:01,000 --> 00:07:03,200
>>TAKE HIM INSIDE.
202
00:07:04,234 --> 00:07:09,601
[♪]
203
00:07:10,834 --> 00:07:11,801
>>WHAT ARE YOU GOING TO DO,
204
00:07:11,934 --> 00:07:12,868
SONS OF P...?
205
00:07:13,000 --> 00:07:15,701
[Bang]
206
00:07:16,000 --> 00:07:18,167
>>DO NOT TRY ANYTHING
207
00:07:18,300 --> 00:07:19,701
BECAUSE I KILLED YOU.
208
00:07:19,834 --> 00:07:22,234
[Laughs]
209
00:07:22,534 --> 00:07:29,000
[♪]
210
00:07:29,133 --> 00:07:30,067
>>I HAVE TO DO SOMETHING,
I DON'T
211
00:07:30,200 --> 00:07:31,501
I CAN STAY
CROSSED ARMS.
212
00:07:31,634 --> 00:07:32,701
WHAT AM I GOING TO SAY TO FATIMA?
213
00:07:32,834 --> 00:07:33,901
THAT'S MY FAULT
THEY KIDNAPPED
214
00:07:34,033 --> 00:07:36,334
YOUR SON?
215
00:07:36,634 --> 00:07:37,567
I DON'T KNOW WHAT TO DO. I REALLY DON'T KNOW
216
00:07:37,701 --> 00:07:38,501
WHAT TO DO. I'M DYING
FOR TALKING TO HIM
217
00:07:38,634 --> 00:07:40,000
BY PHONE TO MOHAMED TO SEE
218
00:07:40,133 --> 00:07:41,167
HOW IS IT?
219
00:07:41,367 --> 00:07:42,300
>>I TOLD YOU THAT THAT ONLY TOLD YOU
220
00:07:42,434 --> 00:07:43,367
IT WOULD BRING PROBLEMS.
221
00:07:43,501 --> 00:07:44,467
THAT'S IF THEY HAVE NOT REALIZED
222
00:07:44,601 --> 00:07:45,534
THAT THE LAD HAS THE MOBILE
223
00:07:45,667 --> 00:07:46,601
YET.
224
00:07:46,734 --> 00:07:48,601
>>WHAT DO I DO, OLEG?
225
00:07:48,734 --> 00:07:49,701
>>CALM YOURSELF, THAT'S THE MOST
226
00:07:49,834 --> 00:07:51,601
IMPORTANT.
227
00:07:51,734 --> 00:07:53,701
I WARNED YOU, THIS IS NOT A GAME.
228
00:07:53,834 --> 00:07:54,901
THAT MOVEMENT WAS VERY CLUWY.
229
00:07:55,033 --> 00:07:56,000
YOU SHOULD NEVER TAKE HIM TO LIVE
230
00:07:56,133 --> 00:07:57,100
WITH YOU.
231
00:07:57,234 --> 00:07:58,467
>>WELL, I KNOW. I CAN'T ANYMORE
232
00:07:58,601 --> 00:07:59,534
DO NOTHING ELSE.
233
00:07:59,667 --> 00:08:00,667
AND PLEASE TELL ME IF YOU'RE NOT GOING TO ME
234
00:08:00,801 --> 00:08:01,767
HELP THEN
DO SOMETHING
235
00:08:01,901 --> 00:08:02,767
ME.
236
00:08:02,901 --> 00:08:03,868
>>YOU'RE CRAZY. WITHOUT HIM WE CANNOT
237
00:08:04,000 --> 00:08:05,067
DO NOTHING, TERESA.
238
00:08:05,200 --> 00:08:07,567
>>YOU ARE WRONG, DEAR. I
239
00:08:07,701 --> 00:08:09,534
I'M NOT PLANNING TO GET IN.
240
00:08:09,667 --> 00:08:11,267
Teresa: HOW?
241
00:08:11,400 --> 00:08:12,067
ARE YOU GOING TO LEAVE ME ALONE IN THESE
242
00:08:12,200 --> 00:08:14,267
MOMENTS?
243
00:08:14,400 --> 00:08:15,267
I THOUGHT WE WERE PARTNERS IN
244
00:08:15,400 --> 00:08:16,334
THE GOOD AND THE BAD!
245
00:08:16,467 --> 00:08:19,100
[Cell phone rings]
246
00:08:19,968 --> 00:08:22,300
>>HELLO.
247
00:08:22,968 --> 00:08:26,601
[Speaks in another language]
248
00:08:27,501 --> 00:08:29,100
[♪]
249
00:08:29,400 --> 00:08:31,701
WE ARE J...
250
00:08:31,834 --> 00:08:32,767
THEY JUST CONFIRMED ME THAT
251
00:08:32,901 --> 00:08:34,367
THEY HAVE. HE IS A TURK, HIS NAME
252
00:08:34,501 --> 00:08:36,033
IT'S TARIK.
253
00:08:36,167 --> 00:08:37,100
THAT MAN IS NOT WELL
254
00:08:37,234 --> 00:08:39,467
HEAD.
255
00:08:39,801 --> 00:08:45,367
[♪]
256
00:08:54,567 --> 00:08:58,267
>>ARE YOU COMFORTABLE, NENÉ?
257
00:08:58,934 --> 00:09:00,267
BUT DON'T CRY, BOY, WHAT
258
00:09:00,400 --> 00:09:02,834
HAS NOT STARTED YET
THE GOOD THING.
259
00:09:03,000 --> 00:09:03,968
DO YOU SEE HOW YOU DON'T CARE ABOUT YOU?
260
00:09:04,100 --> 00:09:05,200
FAMILY? [Laughs]
261
00:09:05,334 --> 00:09:07,167
[phone rings]
262
00:09:07,300 --> 00:09:14,300
[♪]
263
00:09:14,634 --> 00:09:18,067
AND WHAT IS THIS? BRING IT!
264
00:09:18,200 --> 00:09:20,567
[♪]
265
00:09:20,701 --> 00:09:22,400
[Cell phone rings]
266
00:09:23,968 --> 00:09:25,701
[Various sounds]
267
00:09:25,834 --> 00:09:26,534
[Groans]
268
00:09:26,667 --> 00:09:28,901
AH, YES IT'S YOUR MOMMY, MOTHER.
269
00:09:29,033 --> 00:09:30,100
[Laughs]
270
00:09:30,234 --> 00:09:32,167
OH, LOOK, TALK TO YOUR MOMMY.
271
00:09:32,300 --> 00:09:33,667
DALE, TALK TO YOUR MOMMY.
272
00:09:33,801 --> 00:09:35,434
>>MOHAMED, WHAT'S GOING ON?
273
00:09:35,567 --> 00:09:37,834
>>MOM? MOM, HELP ME!
274
00:09:37,968 --> 00:09:38,968
>>MOHAMED, WHAT'S GOING ON?
WHY
275
00:09:39,100 --> 00:09:40,033
DO YOU SCREAM? WHY ARE YOU SCREAMING?!
276
00:09:40,167 --> 00:09:42,367
Tarik: COME ON!
277
00:09:42,501 --> 00:09:46,033
[♪]
278
00:09:47,434 --> 00:09:48,100
[Laughs]
279
00:09:48,267 --> 00:09:48,934
HIT IT!
280
00:09:49,100 --> 00:09:51,601
>>AHH...!
281
00:09:51,734 --> 00:09:53,267
[♪]
282
00:09:53,400 --> 00:09:54,701
>>YES HEY, LADY? AND THE NEXT
283
00:09:54,834 --> 00:09:57,267
LET IT SEE HIM, HE'S GOING TO BE DEAD.
284
00:09:57,400 --> 00:09:58,334
AND GREETINGS TO MY MEXICAN
285
00:09:58,467 --> 00:09:59,400
PART.
286
00:09:59,534 --> 00:10:02,701
[Laughs]
287
00:10:03,033 --> 00:10:10,033
[♪]
288
00:10:13,000 --> 00:10:13,968
>>THE MESSAGE THAT RECEIVED THE
289
00:10:14,100 --> 00:10:15,267
MEXICAN ON HER MOBILE HAS
290
00:10:15,400 --> 00:10:16,534
MUCH MORE NERVOUS
OF WHAT
291
00:10:16,667 --> 00:10:18,133
WHAT WAS THERE, PAUL.
292
00:10:18,267 --> 00:10:19,267
>>YES, IF YOU HAVE EVEN LEFT THE
293
00:10:19,400 --> 00:10:21,067
PHOTOS.
294
00:10:21,200 --> 00:10:22,200
WHO COULD HAVE SENT THEM TO YOU,
295
00:10:22,334 --> 00:10:23,634
MARTIN?
296
00:10:24,267 --> 00:10:25,234
I TOLD MARIO THE THEORY OF
297
00:10:25,367 --> 00:10:26,901
TURKISH MAFIA. I HOPE I'M NOT
298
00:10:27,033 --> 00:10:28,367
WRONG.
299
00:10:28,501 --> 00:10:29,501
>>IT IS EVIDENT THAT IT IS ABOUT
300
00:10:29,634 --> 00:10:31,200
THOSE GUYS, PAUL.
301
00:10:31,367 --> 00:10:32,434
THE PHOTOS HAVE BEEN SENT TO YOU
302
00:10:32,567 --> 00:10:33,701
JUST LIKE THE MEXICAN WHEN IT HAS
303
00:10:33,834 --> 00:10:34,968
LANDED THE
FIRST ASSIGNMENT
304
00:10:35,100 --> 00:10:37,901
FOR THE RUSSIANS.
305
00:10:38,033 --> 00:10:38,901
>>WELL IF WE ARE RIGHT, IN
306
00:10:39,033 --> 00:10:40,267
ANY MOMENT JUMPS ONE
307
00:10:40,400 --> 00:10:41,334
WAR BETWEEN MAFIAS THAT IS GOING TO
308
00:10:41,467 --> 00:10:42,400
PUT THE WHOLE COSTA DEL SUN
309
00:10:42,534 --> 00:10:43,734
LEGS UP.
310
00:10:44,000 --> 00:10:44,934
>>WELL, ALSO EVERYTHING
DEPENDS ON
311
00:10:45,067 --> 00:10:46,534
HOW YASIKOV REACTS.
312
00:10:48,033 --> 00:10:49,334
[♪]
313
00:10:49,834 --> 00:10:51,667
WHAT ARE YOU THINKING, PAUL?
314
00:10:51,801 --> 00:10:52,801
>>THAT THIS WAR IS SUITABLE FOR US,
315
00:10:52,934 --> 00:10:53,868
MARTIN.
316
00:10:54,000 --> 00:10:54,868
>>OH YES? BECAUSE?
317
00:10:55,000 --> 00:10:55,934
>>LET THEM ALL KILL EACH OTHER
318
00:10:56,067 --> 00:10:57,000
THEM.
319
00:10:57,133 --> 00:10:58,234
THAT WE ALREADY
WE WILL ORDER
320
00:10:58,367 --> 00:11:00,834
TO REPATRIATE THEIR BODIES.
321
00:11:01,167 --> 00:11:04,567
[♪]
322
00:11:04,968 --> 00:11:06,334
>>IF I PARTICIPATE, IF ANY OF
323
00:11:06,467 --> 00:11:07,467
MY MEN IS DISCOVERED
324
00:11:07,601 --> 00:11:09,334
HELPING YOU AGAINST THE TURKS,
325
00:11:09,467 --> 00:11:10,734
THEN IT WON'T BE A PROBLEM
326
00:11:10,868 --> 00:11:12,467
BETWEEN YOU AND TARIK FOR HIM
327
00:11:12,601 --> 00:11:14,167
KIDNAPPING OF MOHAMED.
328
00:11:14,300 --> 00:11:15,267
IT WILL BE THE BEGINNING OF A WAR
329
00:11:15,400 --> 00:11:16,167
BETWEEN MY ORGANIZATION AND THE
330
00:11:16,300 --> 00:11:17,167
TURKS.
331
00:11:17,300 --> 00:11:18,167
I WOULD INVOLVE MY BOSSES IN
332
00:11:18,300 --> 00:11:19,167
MOSCOW.
333
00:11:19,300 --> 00:11:19,968
DO YOU UNDERSTAND WHY I CAN'T
334
00:11:20,100 --> 00:11:21,167
DO ANYTHING?
335
00:11:21,300 --> 00:11:21,968
>>LET'S SEE, I UNDERSTOOD THAT
336
00:11:22,100 --> 00:11:22,934
UP TO ME.
337
00:11:23,067 --> 00:11:24,000
BUT WHAT IS CLEAR IS THAT
338
00:11:24,133 --> 00:11:26,167
YOU HAVE TO HELP THE LAD, RIGHT?
339
00:11:26,701 --> 00:11:29,400
[Cell phone rings]
340
00:11:29,801 --> 00:11:30,734
>>IT'S FATIMA. WHAT AM I GOING TO
341
00:11:30,868 --> 00:11:31,734
SAY?
342
00:11:31,868 --> 00:11:35,300
[Cell phone rings]
343
00:11:36,300 --> 00:11:37,167
FATIMA...
344
00:11:37,300 --> 00:11:39,267
>>TERESA, THEY TOOK
TO MOHAMED.
345
00:11:39,400 --> 00:11:40,767
HE CALLED ME, AND WAS SCREAMING,
346
00:11:40,901 --> 00:11:43,567
AND... I DON'T KNOW, IT'S AS IF...
347
00:11:43,701 --> 00:11:45,267
THEY WERE DOING
A LOT OF DAMAGE.
348
00:11:45,400 --> 00:11:47,567
I DON'T KNOW, TERESA, I DON'T KNOW.
349
00:11:47,701 --> 00:11:48,667
THE USE... A LORD TOLD ME THAT...
350
00:11:48,801 --> 00:11:52,067
THE NEXT TIME YOU... SEE ME
351
00:11:52,200 --> 00:11:54,133
SON, I WAS GOING TO SEE HIM DEAD.
352
00:11:54,267 --> 00:11:55,868
NO... I DON'T KNOW, I DON'T UNDERSTAND ANYTHING,
353
00:11:56,000 --> 00:11:58,267
TERESA.
354
00:11:58,400 --> 00:11:59,801
HE ALSO TOLD ME THAT...
355
00:11:59,934 --> 00:12:01,033
WILL GREET.
356
00:12:01,167 --> 00:12:02,100
BUT... I DON'T UNDERSTAND ANYTHING. YOU
357
00:12:02,234 --> 00:12:03,200
DO YOU KNOW THEM?
358
00:12:03,334 --> 00:12:04,267
WHAT HAPPENS?
359
00:12:04,400 --> 00:12:05,601
TERESA, I'M GOING TO GO CRAZY.
360
00:12:05,734 --> 00:12:07,133
>>DON'T MOVE FROM THERE, FÁTIMA.
361
00:12:07,267 --> 00:12:09,234
I'M GOING THERE.
362
00:12:09,367 --> 00:12:11,067
[♪]
363
00:12:11,434 --> 00:12:12,601
THEY ALREADY CALLED HER.
364
00:12:12,734 --> 00:12:13,734
POOR FATIMA IS
365
00:12:13,868 --> 00:12:14,834
CRAZED.
366
00:12:14,968 --> 00:12:15,901
I HAVE TO TELL YOU EVERYTHING
367
00:12:16,033 --> 00:12:18,133
TRUTH.
368
00:12:18,267 --> 00:12:20,501
[♪]
369
00:12:20,634 --> 00:12:24,234
Oleg: TESA! I DON'T PROMISE ANYTHING,
370
00:12:24,367 --> 00:12:25,501
BUT I WILL DO EVERYTHING POSSIBLE TO
371
00:12:25,634 --> 00:12:27,567
HELP YOU.
372
00:12:27,934 --> 00:12:34,934
[♪]
373
00:12:41,467 --> 00:12:42,434
>>THEN WELCOME TO CULIACAN,
374
00:12:42,567 --> 00:12:43,534
COMPA, HUH?
375
00:12:43,667 --> 00:12:44,634
>>THANK YOU VERY MUCH.
376
00:12:44,767 --> 00:12:47,067
>>POT, OPEN IT!
377
00:12:47,467 --> 00:12:53,667
[♪]
378
00:12:54,067 --> 00:12:56,634
>>NO... I CAN NOW, THANK YOU.
379
00:12:57,234 --> 00:13:04,300
[♪]
380
00:13:10,534 --> 00:13:14,000
[♪]
381
00:13:15,834 --> 00:13:22,834
{\an8}[♪Theme music ♪]
382
00:13:32,000 --> 00:13:39,000
{\an8}[♪]
383
00:13:48,400 --> 00:13:55,400
{\an8}[♪]
384
00:14:06,501 --> 00:14:13,501
{\an8}[♪]
385
00:14:25,300 --> 00:14:32,300
{\an8}[♪]
386
00:14:39,534 --> 00:14:41,501
{\an8}[♪Theme music ♪]
387
00:14:42,133 --> 00:14:43,100
{\an8}>>GO, TAKE THIS PILL,
388
00:14:43,234 --> 00:14:44,400
{\an8}YOU NEED TO CALM YOURSELF.
389
00:14:44,534 --> 00:14:46,133
{\an8}>>I DON'T WANT ANYTHING.
390
00:14:47,133 --> 00:14:48,100
{\an8}I WILL CALM UP WHEN I AM
391
00:14:48,234 --> 00:14:49,501
{\an8}MY SON WITH ME.
392
00:14:51,234 --> 00:14:54,234
TERESA, I HEARD HIM SCREAMING.' THE SCREAM
393
00:14:54,801 --> 00:14:55,834
IT WAS NOT NORMAL, THEY WERE
394
00:14:55,968 --> 00:14:58,167
DOING A LOT OF DAMAGE.
395
00:14:59,267 --> 00:15:00,267
TERESA, I DON'T FIND OUT ANYTHING.
396
00:15:00,400 --> 00:15:02,033
PLEASE TELL ME
WHAT HAPPENS.
397
00:15:02,167 --> 00:15:03,133
WHY DID THAT MAN SEND ME
398
00:15:03,267 --> 00:15:05,767
MEMORIES FOR YOU?
399
00:15:05,901 --> 00:15:07,701
[♪]
400
00:15:07,834 --> 00:15:08,801
>>THE MEN
WHO KIDNAPPED
401
00:15:08,934 --> 00:15:11,033
MOHAMED ARE MY ENEMIES.
402
00:15:11,167 --> 00:15:14,033
>> YOUR ENEMIES?
403
00:15:15,501 --> 00:15:16,434
BUT SINCE WHEN HAVE YOU HAD
404
00:15:16,567 --> 00:15:17,567
ENEMIES? I DON'T UNDERSTAND ANYTHING.
405
00:15:17,701 --> 00:15:18,667
>>FATIMA, THEY ARE MATTERS OF
406
00:15:18,801 --> 00:15:19,734
BUSINESS, DIFFICULT TO EXPLAIN.
407
00:15:19,868 --> 00:15:20,801
YOU WOULD NOT UNDERSTAND.
408
00:15:20,934 --> 00:15:21,901
>>LOOK, DON'T TREAT ME AS IF
409
00:15:22,033 --> 00:15:25,033
GET OUT STUPID, OKAY?!
410
00:15:26,601 --> 00:15:28,767
WHAT ARE YOU IN TO, TERESA?
411
00:15:32,000 --> 00:15:33,133
IT MUST BE VERY FAT ARGO
SO THAT
412
00:15:33,267 --> 00:15:35,367
THOSE PEOPLE HAVE MY SON.
413
00:15:38,167 --> 00:15:39,300
IS IT DUE TO DRUGS?
414
00:15:40,367 --> 00:15:43,400
[♪]
415
00:15:43,567 --> 00:15:44,501
I mean, those were the ones
416
00:15:44,634 --> 00:15:45,567
BUSINESSES YOU DID NOT WANT
417
00:15:45,701 --> 00:15:47,000
TELL ME, RIGHT?
418
00:15:47,734 --> 00:15:48,701
"FATIMA, DON'T ASK, DON'T YOU
419
00:15:48,834 --> 00:15:50,834
"I CAN ANSWER."
420
00:15:51,567 --> 00:15:52,567
WHAT HAVE YOU DONE TO THOSE PEOPLE
421
00:15:52,701 --> 00:15:54,667
SO THEY HAVE MY SON?
422
00:15:54,801 --> 00:15:57,000
[♪]
423
00:15:57,667 --> 00:15:58,601
>>LOOK, FÁTIMA, I...
424
00:15:58,734 --> 00:15:59,667
INSURANCE...
425
00:15:59,801 --> 00:16:00,968
>>DO NOT ASSURE ME ANYTHING, TERESA,
426
00:16:01,100 --> 00:16:02,567
AND TELL ME THE TRUTH! OKAY?
427
00:16:03,634 --> 00:16:04,601
I HEARD MY SON SCREAM AND IT WAS
428
00:16:04,734 --> 00:16:05,734
THE SOUL HAS PARTED! DO YOU HEAR ME?!
429
00:16:05,868 --> 00:16:07,200
THE SOUL!
430
00:16:08,133 --> 00:16:09,100
MY SON IS IN DANGER OF
431
00:16:09,234 --> 00:16:10,601
DEATH AND I WANT TO KNOW WHY!
432
00:16:10,968 --> 00:16:12,734
[♪]
433
00:16:13,634 --> 00:16:15,667
>>PATTY AND I ARE PARTNERS.
434
00:16:16,868 --> 00:16:17,834
WE HAVE BUSINESS WITH A
RUSSIAN THAT
435
00:16:17,968 --> 00:16:18,934
HIS NAME IS OLEG, TO WHOM
436
00:16:19,067 --> 00:16:20,501
WE TRAFFICK DRUGS THAT
WE BRING FROM
437
00:16:20,634 --> 00:16:22,901
MOROCCO.
438
00:16:23,033 --> 00:16:24,200
THAT BUSINESS WAS BEFORE ONE OF THE
439
00:16:24,334 --> 00:16:27,534
MEN WHO HAVE YOUR SON.
440
00:16:27,667 --> 00:16:30,801
>> SO... THEY KILL BOTH OF THEM
441
00:16:30,934 --> 00:16:33,434
MEN IN YOUR LIFE FOR DRUGS,
442
00:16:33,567 --> 00:16:34,901
THEY PUT YOU IN JAIL, AND
443
00:16:35,033 --> 00:16:37,901
ARE YOU STILL ON THAT M..., TERESA?
444
00:16:38,033 --> 00:16:39,234
>>I DIDN'T SEEK TO BE IN THAT MOTHER...
445
00:16:39,367 --> 00:16:42,734
FATIMA. I DON'T.
446
00:16:43,434 --> 00:16:44,434
IT IS THE CIRCUMSTANCES, IT IS THE
447
00:16:44,567 --> 00:16:45,634
LIFE, THAT CONSTANTLY ME
448
00:16:45,767 --> 00:16:48,567
PUT IT BACK THERE.
449
00:16:49,067 --> 00:16:50,834
I DIDN'T LOOK FOR IT.
450
00:16:50,968 --> 00:16:51,934
[sobs]
451
00:16:52,067 --> 00:16:53,067
>>WHY DID YOU BRING ME
452
00:16:53,200 --> 00:16:56,267
MELILLA, LET'S SEE? BECAUSE?
453
00:16:56,901 --> 00:16:57,834
YOU TOLD ME THAT I WAS GOING TO BE BY YOUR SIDE
454
00:16:57,968 --> 00:16:59,834
BE HAPPY. YOU PROMISED ME.
455
00:17:00,334 --> 00:17:04,334
[♪]
456
00:17:04,467 --> 00:17:05,400
>>BECAUSE I LOVE THEM AS IF
457
00:17:05,534 --> 00:17:08,200
THEY WERE PART OF ME.
458
00:17:08,334 --> 00:17:10,267
BECAUSE I NEEDED THEM
459
00:17:10,400 --> 00:17:12,901
NEXT TO ME.
460
00:17:13,033 --> 00:17:13,968
[sobs]
461
00:17:14,100 --> 00:17:15,100
BECAUSE I NEEDED TO FEEL THAT
462
00:17:15,234 --> 00:17:17,701
I HAD A FAMILY. THAT'S WHY THE
463
00:17:17,834 --> 00:17:18,801
I TOOK THEM OUT OF THE HOUSE AND BROUGHT THEM
464
00:17:18,934 --> 00:17:20,300
STOP HERE SO THAT... NO
465
00:17:20,434 --> 00:17:22,000
THEY WOULD BE IN DANGER.
466
00:17:22,133 --> 00:17:23,067
NOTHING BUT WAS TOO MUCH
467
00:17:23,200 --> 00:17:25,534
AFTERNOON.
468
00:17:25,734 --> 00:17:29,634
[sobs]
469
00:17:31,234 --> 00:17:33,033
>>I HATE YOU...
470
00:17:33,434 --> 00:17:34,300
Patty: CALM! SO
471
00:17:34,434 --> 00:17:36,467
WE DO NOT SOLVE ANYTHING!
472
00:17:36,601 --> 00:17:39,167
>>LEAVE IT, PATTY, LEAVE IT.
473
00:17:39,300 --> 00:17:40,234
WE ARE TALKING ABOUT THE LIFE OF
474
00:17:40,367 --> 00:17:43,234
HIS SON.
475
00:17:43,367 --> 00:17:44,300
TELL ME, FATIMA. TELL ME EVERYTHING
476
00:17:44,434 --> 00:17:45,400
YOU HAVE TO TELL ME.
477
00:17:45,534 --> 00:17:48,133
TAKE IT OUT IF IT MAKES YOU FEEL BETTER.
478
00:17:48,534 --> 00:17:50,400
[sobs]
479
00:17:52,133 --> 00:17:55,334
[♪]
480
00:17:56,067 --> 00:17:57,033
MOHAMED IS GOING TO BE FINE. IT TO YOU
481
00:17:57,167 --> 00:17:58,267
I SWEAR IT'S GOING TO BE FINE.
482
00:17:58,400 --> 00:17:59,067
[sobs]
483
00:17:59,200 --> 00:18:00,200
I'M GOING TO GO FOR HIM AND EVERYTHING IS GOING TO
484
00:18:00,334 --> 00:18:01,367
BE WELL. THEY ARE NOT GOING TO TOUCH IT,
485
00:18:01,534 --> 00:18:04,133
I SWEAR TO YOU...
486
00:18:04,267 --> 00:18:07,367
>>TERESA, IT'S MY CHILD. MY CHILD!
487
00:18:07,767 --> 00:18:10,100
[sobs]
488
00:18:10,868 --> 00:18:17,868
[♪]
489
00:18:28,801 --> 00:18:29,734
>>HAVE YOU THOUGHT WHAT I TOLD YOU
490
00:18:29,868 --> 00:18:31,701
BY PHONE?
491
00:18:32,634 --> 00:18:33,634
>>IF WHAT YOU WANT IS TO AVOID THE
492
00:18:33,767 --> 00:18:36,934
WAR WITH THE TURKS, DO I
493
00:18:37,234 --> 00:18:38,200
YOU ALLOW ME TO MAKE YOU A
494
00:18:38,334 --> 00:18:40,033
SUGGESTION?
495
00:18:40,667 --> 00:18:45,667
[♪]
496
00:18:49,167 --> 00:18:50,934
>>WHAT IF YOU CALL THOSE MEN?
497
00:18:51,901 --> 00:18:52,901
THEY HAVE THE PHONE
498
00:18:53,033 --> 00:18:54,033
MOHAMED.
499
00:18:55,234 --> 00:18:56,167
TERESA, FOR GOD'S sake, MAY YOU
500
00:18:56,300 --> 00:18:57,267
PROMISE THAT YOU ARE NOT GOING TO DO IT
501
00:18:57,400 --> 00:18:59,133
DAMAGE, PLEASE.
502
00:18:59,267 --> 00:19:00,267
>>I CAN'T TALK TO YOU
503
00:19:00,400 --> 00:19:01,334
NOW, FÁTIMA, UNTIL I KNOW
504
00:19:01,467 --> 00:19:03,033
WELL WHAT I'M GOING TO TELL YOU.
505
00:19:03,167 --> 00:19:04,167
I NEED TO THINK ABOUT IT, I NEED
506
00:19:04,300 --> 00:19:06,400
TIME.
507
00:19:06,901 --> 00:19:07,834
>>ER WHO HAS NO TIME IS MY
508
00:19:07,968 --> 00:19:08,968
CHILD.
509
00:19:10,767 --> 00:19:11,701
>>COME ON, FÁTIMA, CALM DOWN.
510
00:19:11,834 --> 00:19:14,634
NOT WITH DESPERATION
YOU WIN NOTHING.
511
00:19:15,067 --> 00:19:16,067
[Doorbell]
512
00:19:17,567 --> 00:19:18,634
>>MOHAMED. IT'S SURELY MOHAMED.
513
00:19:18,801 --> 00:19:20,901
>>NO...GO TERESA...
514
00:19:21,167 --> 00:19:23,934
[♪]
515
00:19:27,367 --> 00:19:29,868
Fátima: WHAT'S GOING ON, TERESA?
516
00:19:30,167 --> 00:19:31,334
WHAT'S HAPPENING?
517
00:19:32,367 --> 00:19:33,334
[♪]
518
00:19:33,467 --> 00:19:35,434
TERESA.
519
00:19:35,734 --> 00:19:38,968
[♪]
520
00:19:40,367 --> 00:19:43,033
WHAT IS THAT?
521
00:19:43,167 --> 00:19:44,033
[♪]
522
00:19:44,167 --> 00:19:44,834
>>PATTY...
523
00:19:45,033 --> 00:19:45,801
>>IT'S BETTER YOU DON'T SEE THEM.
524
00:19:45,934 --> 00:19:50,033
>>LEAVE ME.
525
00:19:50,167 --> 00:19:51,100
>>TAKE HER!
526
00:19:51,234 --> 00:19:52,734
>>LET GO OF ME!
527
00:19:52,868 --> 00:19:53,868
WHAT'S THAT?
528
00:19:54,834 --> 00:20:01,834
[♪]
529
00:20:08,667 --> 00:20:15,667
[♪]
530
00:20:30,400 --> 00:20:31,067
[♪ Theme music ♪]
531
00:20:31,234 --> 00:20:33,033
>>WHAT HAVE YOU GIVEN ME? I AM A
LITTLE DIZZY.
532
00:20:33,767 --> 00:20:34,734
>>SOME PILLS FOR
533
00:20:34,868 --> 00:20:36,334
REQUIRE YOURSELF. YOU WILL SEE HOW
534
00:20:36,467 --> 00:20:37,868
YOU WILL BE BETTER.
535
00:20:41,767 --> 00:20:43,868
[Doorbell]
536
00:20:44,000 --> 00:20:45,000
>>ES OLEG.
537
00:20:45,133 --> 00:20:47,968
>>I'M COMING. IT'S CALMER.
538
00:20:48,100 --> 00:20:51,801
[♪]
539
00:20:53,467 --> 00:20:55,167
>>TERESA, IF MY SON DIES,
540
00:20:55,300 --> 00:20:57,100
I AM DYING WITH HIM.
541
00:20:58,100 --> 00:21:00,334
>>NOTHING WILL HAPPEN TO YOUR CHILD.
542
00:21:00,467 --> 00:21:02,234
YOUR CHILD WILL BE WELL AND WILL
543
00:21:02,367 --> 00:21:03,434
GROW AND WILL HAVE A VERY LIFE
544
00:21:03,567 --> 00:21:06,534
PRETTY WITH YOU AND WE ARE ALL GOING TO
545
00:21:06,667 --> 00:21:08,300
BE HAPPY, DO YOU UNDERSTAND? SO
546
00:21:08,434 --> 00:21:11,000
I HAVE TO GIVE MY LIFE FOR HIM.
547
00:21:11,133 --> 00:21:12,968
YOU UNDERSTAND?
548
00:21:13,567 --> 00:21:17,467
[♪]
549
00:21:17,868 --> 00:21:20,467
>>GOOD AFTERNOON.
550
00:21:20,901 --> 00:21:21,834
>>COME ON, FÁTIMA, YOU HAVE TO
551
00:21:21,968 --> 00:21:22,968
TALK.
552
00:21:23,234 --> 00:21:26,534
>>HE WILL HELP US. GO WITH PATTY.
553
00:21:26,868 --> 00:21:33,868
[♪]
554
00:21:40,934 --> 00:21:43,267
>>YOU MADE ME RESPECT YOU
555
00:21:43,834 --> 00:21:44,934
AND OLEG YASIKOV DOES NOT RESPECT
556
00:21:45,067 --> 00:21:47,701
TO ALMOST NO ONE. YOU ARE A LEADER,
557
00:21:47,834 --> 00:21:49,934
BEHAVE LIKE SUCH.
558
00:21:50,067 --> 00:21:51,000
>>I CAN'T.
559
00:21:51,133 --> 00:21:52,067
>>YES YOU CAN!
560
00:21:52,200 --> 00:21:53,234
>>I CAN'T.
561
00:21:53,501 --> 00:21:55,300
>>YES, LET'S GO.
562
00:21:55,434 --> 00:21:58,334
[sobs]
563
00:21:59,334 --> 00:22:06,400
[♪]
564
00:22:12,100 --> 00:22:14,501
>>I'M FINE, YOU'RE RIGHT.
565
00:22:14,634 --> 00:22:17,033
WHAT DO WE HAVE TO DO?
566
00:22:17,701 --> 00:22:23,200
>>I LIKE IT THAT WAY. IT'S RISKY,
567
00:22:23,334 --> 00:22:25,701
YOU DECIDE. YOU HAVE TO CALL
568
00:22:25,834 --> 00:22:27,701
TURKISH BOSS, WHAT IS BEST
569
00:22:27,834 --> 00:22:30,100
YOU KNOW HOW TO DO, NEGOTIATE WITH
HIM LIKE
570
00:22:30,234 --> 00:22:33,467
YOU ONCE DID ME. YOUR
571
00:22:33,734 --> 00:22:34,701
FULL NAME IS TARIK
572
00:22:34,834 --> 00:22:36,300
ALKALAM, HE'S HALF CRAZY, BUT
573
00:22:36,434 --> 00:22:38,901
I KNOW YOU CAN CONTROL THE
574
00:22:39,033 --> 00:22:42,300
SITUATION. IF YOU SEE THAT YOU
575
00:22:42,434 --> 00:22:45,367
ESCAPE FROM THE HANDS, THERE IS SOMETHING
576
00:22:45,501 --> 00:22:48,667
EXTREME THAT
YOU CAN DO. WE HAVE
577
00:22:48,801 --> 00:22:52,100
THOUGHT ABOUT THE FOLLOWING, YOU WOULD HAVE
578
00:22:52,234 --> 00:22:53,801
WHAT TO GET BETWEEN HIM AND
579
00:22:53,934 --> 00:22:56,434
MOHAMED THERE WAS A DISTANCE.
580
00:22:56,801 --> 00:23:01,901
[♪]
581
00:23:05,434 --> 00:23:06,434
>>YES BY A FINGER
HAS FAINTED
582
00:23:06,567 --> 00:23:08,567
THE LAD, IMAGINE WHAT WILL HAPPEN
583
00:23:08,701 --> 00:23:10,901
WHEN WE CUT OFF HIS HEAD.
584
00:23:11,200 --> 00:23:15,601
[Laughs]
585
00:23:16,734 --> 00:23:17,701
>>AND TERESA?
586
00:23:17,834 --> 00:23:19,734
>>I TRINK THE MEXICAN ONE,
587
00:23:19,868 --> 00:23:22,467
I BRING TO YOU AND AFTER THAT
588
00:23:22,601 --> 00:23:24,634
THE WORMS EAT IT.
589
00:23:24,767 --> 00:23:26,501
[Laughs]
590
00:23:26,801 --> 00:23:29,701
[Cell phone rings]
591
00:23:30,133 --> 00:23:31,067
>>WHO IS IT?
592
00:23:31,200 --> 00:23:32,267
>>TARIK ALKALAM?
593
00:23:32,400 --> 00:23:33,367
>>WHO TALKS?
594
00:23:33,501 --> 00:23:34,667
>>THES TERESA SPEAKS, THE MEXICAN.
595
00:23:34,801 --> 00:23:35,767
I SPEAK TO NEGOTIATE THE
596
00:23:35,901 --> 00:23:38,267
LIBERATION OF MOHAMED. HOW
597
00:23:38,501 --> 00:23:39,734
IS HE?
598
00:23:39,868 --> 00:23:42,133
>>YES, IT'S VERY GOOD. WE ARE
599
00:23:42,267 --> 00:23:44,434
WAITING FOR THEM TO PASS
A FEW HOURS
600
00:23:44,567 --> 00:23:46,033
TO CONTINUE CUTTING HIM
THE FINGERS
601
00:23:46,167 --> 00:23:47,367
AND SEND THEM TO YOUR MOTHER SO THAT
602
00:23:47,501 --> 00:23:49,701
FINISH THE COLLECTION.
603
00:23:50,000 --> 00:23:51,501
[Laughs]
604
00:23:51,901 --> 00:23:53,167
>>NOW, DON'T HURT HIM. TELL ME WHAT
605
00:23:53,300 --> 00:23:54,968
I HAVE TO DO.
606
00:23:55,100 --> 00:23:56,734
>>IF YOU WANT THE BOY, YOU HAVE
607
00:23:56,868 --> 00:24:00,634
YOU COME ALONE, UNDERSTAND?
608
00:24:00,767 --> 00:24:02,701
>>ME ALONE?
609
00:24:02,834 --> 00:24:04,534
Tarik: YASIKOV IS WITH YOU,
610
00:24:04,667 --> 00:24:05,400
NO?
611
00:24:05,534 --> 00:24:06,601
>>NO, HE IS NOT WITH ME, HE
612
00:24:06,734 --> 00:24:08,234
RUSSIAN DOESN'T WANT TO GET IN.
613
00:24:08,367 --> 00:24:10,334
>>DOES WELL.
614
00:24:10,467 --> 00:24:13,901
I REPEAT YOU: COME ALONE.
615
00:24:14,033 --> 00:24:15,133
ONE LIE,
616
00:24:15,300 --> 00:24:17,334
MEXICAN, AND I SWEAR TO YOU
617
00:24:17,467 --> 00:24:18,834
THAT CUT THE BOY'S HEAD OFF.
618
00:24:18,968 --> 00:24:21,767
>>GIVE ME THE ADDRESS.
619
00:24:24,267 --> 00:24:25,234
>>PAUL.
620
00:24:25,367 --> 00:24:26,434
>>WHAT?
621
00:24:26,567 --> 00:24:27,501
>>I ALREADY HAVE THE VIDEO OF
622
00:24:27,634 --> 00:24:28,567
SURVEILLANCE OF THE SCHOOL.
623
00:24:28,701 --> 00:24:30,601
>>ALL RIGHT, PUT IT ON.
624
00:24:31,033 --> 00:24:38,033
[♪]
625
00:24:42,968 --> 00:24:46,300
STOP IT THERE! IT'S HIM. THIS IS THE
626
00:24:46,434 --> 00:24:47,300
MORO, THE PROTECTED OF THE
627
00:24:47,434 --> 00:24:48,400
MEXICAN.
628
00:24:48,534 --> 00:24:49,934
>>YOU'RE RIGHT, IT'S THE SAME.
629
00:24:50,067 --> 00:24:51,934
>> OF COURSE, THIS SHOULD BE THE
630
00:24:52,067 --> 00:24:53,133
MESSAGE YOU RECEIVED ON YOUR MOBILE,
631
00:24:53,300 --> 00:24:55,968
THAT'S WHY SHE GOT SO NERVOUS.
632
00:24:56,167 --> 00:24:57,801
>>WHAT DO YOU WANT US TO DO?
633
00:24:57,934 --> 00:24:59,200
DO WE SEND A TRACKING
TO THE LAD?
634
00:24:59,334 --> 00:25:00,567
>>NOTHING ABOUT THAT, I HAVE HAD TO
635
00:25:00,701 --> 00:25:01,901
TAKE MY DAUGHTERS OUT OF THE COUNTRY FOR
636
00:25:02,033 --> 00:25:03,767
BLAME OF THIS WOMAN, LET HER SUFFER
637
00:25:03,901 --> 00:25:04,868
IN THE FLESH WHAT HAS ME
638
00:25:05,000 --> 00:25:07,000
MADE TO ME.
639
00:25:07,400 --> 00:25:10,200
[♪]
640
00:25:10,567 --> 00:25:11,868
>> YOU'RE CRAZY, YOU CAN'T
641
00:25:12,000 --> 00:25:12,968
TAKE A RISK THIS WAY.
642
00:25:13,100 --> 00:25:14,067
>>LOWER YOUR VOICE, YOU'RE GOING TO
643
00:25:14,200 --> 00:25:15,267
AWAKENING TO FATIMA.
644
00:25:15,400 --> 00:25:16,334
>>I GAVE FÁTIMA PILLS, SHE IS
645
00:25:16,467 --> 00:25:18,367
ASLEEP. WHAT DO YOU WANT? WHAT
646
00:25:18,501 --> 00:25:19,501
THOSE KILLERS END YOU
647
00:25:19,634 --> 00:25:20,567
TOO?
648
00:25:20,701 --> 00:25:22,267
>>I DON'T CARE, THIS IS HOW
649
00:25:22,400 --> 00:25:23,334
I CAN GET THEM TO RELEASE
650
00:25:23,467 --> 00:25:24,501
MOHAMED.
651
00:25:24,634 --> 00:25:25,601
>>WELL IF YOU GO, THEY'RE GOING TO KILL YOU
652
00:25:25,734 --> 00:25:26,701
YOU TOO AND THE WORST IS THAT YOU
653
00:25:26,834 --> 00:25:28,067
YOU WILL HAVE SACRIFICED IN VAIN
654
00:25:28,200 --> 00:25:29,167
BECAUSE THE CHILD IS GOING TO DIE
655
00:25:29,300 --> 00:25:30,367
ALSO.
656
00:25:30,567 --> 00:25:32,400
>>DON'T SAY THAT EVEN AS A JOKE. TO THE
657
00:25:32,534 --> 00:25:34,801
WHAT THEY WANT IS ME, THE BOY
658
00:25:34,934 --> 00:25:36,901
IT'S ONLY A HOOK. FATIMA SE
659
00:25:37,033 --> 00:25:39,100
HE DIES IF SOMETHING HAPPENS TO HIM AND I
660
00:25:39,234 --> 00:25:41,601
I DIE WITH HER.
661
00:25:41,901 --> 00:25:48,901
[♪]
662
00:26:04,567 --> 00:26:05,501
>>I'M NOT CONVINCED BY
WHAT DO YOU WANT
663
00:26:05,634 --> 00:26:06,567
DO.
664
00:26:06,701 --> 00:26:09,367
>>I KNOW, BUT THERE IS NO OTHER WAY.
665
00:26:09,701 --> 00:26:11,367
>>I'M VERY AFRAID, MEXICAN,
666
00:26:11,501 --> 00:26:12,968
LET ME ACCOMPANY YOU THROUGH
THE LEAST.
667
00:26:13,100 --> 00:26:14,767
>>NO, WE ALREADY TALKED ABOUT THAT, I HAVE
668
00:26:14,901 --> 00:26:16,667
WHAT TO GO ALONE. I ALSO HAVE
669
00:26:16,801 --> 00:26:18,968
VERY AFRAID, BUT I AM MORE AFRAID
670
00:26:19,100 --> 00:26:20,167
DON'T RETURN YOUR SON ALIVE
671
00:26:20,300 --> 00:26:24,267
TO FATIMA. TAKE CARE OF HER A LOT, FOR
672
00:26:24,400 --> 00:26:27,167
PLEASE.
673
00:26:27,467 --> 00:26:28,968
>>WHAT IF SOMETHING HAPPENS TO YOU?
674
00:26:29,100 --> 00:26:31,367
WHO WILL TAKE CARE OF ME?
675
00:26:31,868 --> 00:26:35,767
[♪]
676
00:26:36,100 --> 00:26:37,033
>>EVERYTHING IS GOING TO BE WELL. COME ON,
677
00:26:37,167 --> 00:26:39,267
OLEG.
678
00:26:39,400 --> 00:26:46,400
[♪]
679
00:26:58,200 --> 00:27:01,634
>>WELL, YOU KNOW, WE HAVE TO
680
00:27:01,767 --> 00:27:03,100
MAKE THE MEXICAN BELIEVE THAT
681
00:27:03,234 --> 00:27:05,400
THIS IS AN EXCHANGE, SHE FOR
682
00:27:05,534 --> 00:27:07,234
THE BOY AND SO SOON THE
683
00:27:07,367 --> 00:27:08,367
LET US HAVE WITH US, THE
684
00:27:08,501 --> 00:27:11,300
WE LIQUIDATED BOTH OF THEM,
UNDERSTOOD?
685
00:27:11,501 --> 00:27:13,334
WAIT FOR MY SIGNAL BECAUSE
BEFORE
686
00:27:13,467 --> 00:27:15,634
KILL HER I WANT HER TO SEE HOW IT LOOKS
687
00:27:15,767 --> 00:27:20,634
THE BOY DIES. COME,
TO YOUR POSITIONS, LET'S GO!
688
00:27:23,767 --> 00:27:30,767
[♪]
689
00:27:39,634 --> 00:27:46,634
[♪]
690
00:27:56,167 --> 00:28:03,234
[♪]
691
00:28:05,767 --> 00:28:08,067
[♪ Theme music ♪]
692
00:28:16,667 --> 00:28:19,267
[♪]
693
00:28:27,901 --> 00:28:31,133
>> HERE I AM! ALONE AS ME
YOU ASKED.
694
00:28:31,801 --> 00:28:35,734
>>BRAVE. SO YOU ARE THE
695
00:28:35,868 --> 00:28:37,367
FAMOUS MEXICAN WHO HAS GIVEN
696
00:28:37,501 --> 00:28:38,767
FOR STEALING OUR BUSINESS.
697
00:28:38,901 --> 00:28:40,234
>>I WANT TO SEE MOHAMED!
698
00:28:40,367 --> 00:28:42,167
>>WHAT'S THE DEAL?
699
00:28:42,300 --> 00:28:43,467
>>I RETURN THE BUSINESS WITH THE
700
00:28:43,601 --> 00:28:45,567
RUSSIAN YES DELIVER ME
TO THE BOY.
701
00:28:45,701 --> 00:28:47,367
IN 24 HOURS I WILL LEAVE SPAIN AND
702
00:28:47,501 --> 00:28:48,567
THEY WILL NOT SEE ME AGAIN.
703
00:28:48,701 --> 00:28:51,968
>>AND I MUST BELIEVE YOU.
I PREFER A
704
00:28:52,100 --> 00:28:53,634
EXCHANGE, I WANT YOU TO
705
00:28:53,767 --> 00:28:57,200
CHANGE OF LAD.
706
00:28:57,667 --> 00:29:04,734
[♪]
707
00:29:13,968 --> 00:29:17,334
>>IT'S GOOD THEN, BUT I
708
00:29:17,467 --> 00:29:19,100
I DELIVER ONLY WHEN I SEE THAT
709
00:29:19,234 --> 00:29:21,834
MOHAMED IS SAFE AND FAR AWAY.
710
00:29:23,467 --> 00:29:24,534
>>AND HOW IS IT GOING TO GO? IT'S VERY
711
00:29:24,667 --> 00:29:29,767
DIFFICULT WITHOUT THE FULL HAND.
712
00:29:32,167 --> 00:29:34,667
BRING THE BOY!
713
00:29:35,167 --> 00:29:42,167
[♪]
714
00:29:57,133 --> 00:29:58,267
>>AUNT, THEY ARE GOING TO KILL US!
715
00:30:00,367 --> 00:30:01,968
[♪]
716
00:30:02,100 --> 00:30:04,801
>>STOP OR I'LL KILL HIM!
717
00:30:07,000 --> 00:30:14,000
[♪]
718
00:30:15,200 --> 00:30:16,167
>> YOU MUST HAVE THE C... OF
719
00:30:16,300 --> 00:30:17,267
STEEL TO DARE TO DO
720
00:30:17,400 --> 00:30:20,033
SOMETHING SO RISKY.
721
00:30:21,334 --> 00:30:24,000
>>SHE HAS THEM.
722
00:30:24,467 --> 00:30:25,400
>>BUT DO YOU TRUST THAT MUCH?
723
00:30:25,534 --> 00:30:27,601
WOMAN?
724
00:30:27,734 --> 00:30:28,968
>>I DON'T TRUST ANYONE AND YOU DO
725
00:30:29,100 --> 00:30:35,901
YOU KNOW... BUT TESA IS SPECIAL.
726
00:30:38,834 --> 00:30:43,434
>>AREN'T YOU FALLING IN LOVE?
727
00:30:43,734 --> 00:30:44,667
>>WE RUSSIANS FALL IN LOVE
728
00:30:44,801 --> 00:30:47,667
A LOT, BUT WE HAVE FEW
729
00:30:47,801 --> 00:30:50,501
FRIENDS. AT THIS HEIGHT OF ME
730
00:30:50,634 --> 00:30:53,100
LIFE I VALUE A FRIEND MORE THAN A
731
00:30:53,234 --> 00:30:57,000
A WOMAN AND TESA IS THAT:
732
00:30:57,133 --> 00:30:59,234
A GOOD FRIEND...
733
00:31:01,667 --> 00:31:03,667
BUT IF HE DIES, BAD
734
00:31:03,801 --> 00:31:08,467
LUCK. LIFE IS AS IT IS AND NOT
735
00:31:08,601 --> 00:31:11,701
HOW WE WANT IT TO BE.
736
00:31:19,501 --> 00:31:21,067
>>WHERE HAS THIS AUNT GONE?
737
00:31:21,200 --> 00:31:23,267
FATIMA! THERE CANNOT BE
738
00:31:23,400 --> 00:31:26,300
SWALLOWED THE EARTH.
739
00:31:29,801 --> 00:31:32,567
COME ON, TERESA, GET IT.
740
00:31:40,400 --> 00:31:41,567
>>PATTY, WHAT
ARE YOU CALLING ME?
741
00:31:41,701 --> 00:31:42,667
DON'T OCCUPY THE LINE, I HOPE
742
00:31:42,801 --> 00:31:44,334
CALL FROM TESA.
743
00:31:44,467 --> 00:31:45,434
>>FATIMA HAS DISAPPEARED, NOT HER
744
00:31:45,567 --> 00:31:46,934
FIND NOWHERE
AND THAT
745
00:31:47,067 --> 00:31:48,667
AUNT IS CRAZY. LET'S SEE IF FOR YOUR
746
00:31:48,801 --> 00:31:49,767
BLAME SOMETHING IS GOING TO HAPPEN TO
747
00:31:49,901 --> 00:31:50,901
TERESA.
748
00:31:51,267 --> 00:31:53,801
>>THANKS FOR NOTIFYING ME.
749
00:31:54,868 --> 00:31:55,968
>>WHAT HAPPENS?
750
00:31:56,100 --> 00:31:59,267
>>EVERYTHING IS GOING WRONG.
751
00:32:01,567 --> 00:32:04,701
VASCO, ARE YOU IN POSITION? THE
752
00:32:04,834 --> 00:32:08,334
YOU SEE? NO, CHANGE OF PLANS. TO THE
753
00:32:08,467 --> 00:32:09,734
FIRST SIGN THAT SOMETHING IS GOING
754
00:32:09,868 --> 00:32:12,067
WRONG, DESTROY THE TURKS.
755
00:32:12,968 --> 00:32:16,434
[♪]
756
00:32:26,734 --> 00:32:28,033
>>PLEASE DON'T KILL ME!
757
00:32:28,167 --> 00:32:29,701
>>LET GO!
758
00:32:29,834 --> 00:32:32,434
>>I WAS RESEARCHING ABOUT YOU AND
759
00:32:32,567 --> 00:32:33,534
ON THE STREET THEY SAY THAT YOU ARE A
760
00:32:33,667 --> 00:32:36,234
WOMAN WHO LOOKS LIKE A MAN
AND THE
761
00:32:36,367 --> 00:32:37,334
MEN NEVER FULFILL THEIR
762
00:32:37,467 --> 00:32:39,334
WORD.
763
00:32:39,467 --> 00:32:40,400
I KNOW YOU'RE NOT GOING TO LEAVE THE BUSINESS
764
00:32:40,534 --> 00:32:42,934
WITH THE RUSSIANS, WHO
YOU WILL WANT TO GO
765
00:32:43,067 --> 00:32:45,968
FOR THE FRENCH AND THE ITALIAN,
766
00:32:47,367 --> 00:32:48,901
DID I MENTION YOU THAT MEN
767
00:32:49,033 --> 00:32:52,801
ARE WE LIARS? NO ONE FROM HERE
768
00:32:52,934 --> 00:32:56,834
COME OUT ALIVE.
769
00:33:00,467 --> 00:33:01,467
>>IF YOU KILL HIM, WE WILL ALL FLY IN
770
00:33:01,601 --> 00:33:04,901
A THOUSAND PIECES. I HAVE ENOUGH
771
00:33:05,033 --> 00:33:06,067
EXPLOSIVES AS FOR
BLOW EVERYTHING
772
00:33:06,200 --> 00:33:08,367
THIS PLACE, SO YOU
773
00:33:08,501 --> 00:33:10,200
YOU DECIDE, TARIK. YOU DELIVER ME TO
774
00:33:10,334 --> 00:33:12,601
BOY AND I KEEP MY WORD O
775
00:33:12,734 --> 00:33:15,534
WE ARE ALL GOING TO HELL.
776
00:33:16,100 --> 00:33:23,100
[♪]
777
00:33:48,434 --> 00:33:51,434
>>HIM?
778
00:33:55,734 --> 00:33:58,400
AND WHAT ABOUT YOU?
779
00:33:58,534 --> 00:34:00,601
[♪]
780
00:34:03,167 --> 00:34:05,467
{\an8}[♪ Musical theme ♪]
781
00:34:05,801 --> 00:34:09,100
>>WHO ARE YOU?
782
00:34:09,501 --> 00:34:11,868
>>YOU AND I HAVE AN ENEMY IN
COMMON.
783
00:34:12,000 --> 00:34:13,667
>>WHAT DID YOU SAY?
784
00:34:13,801 --> 00:34:16,467
>>I KNOW YOU'VE BEEN HERE FOR A LONG TIME
785
00:34:16,601 --> 00:34:17,767
BECAUSE OF AN ENEMY THAT I
786
00:34:17,901 --> 00:34:19,367
I ALSO HAVE.
787
00:34:19,501 --> 00:34:23,534
>>ENEMY OR ENEMY?
DO YOU KNOW
788
00:34:23,667 --> 00:34:26,601
TERESA?
789
00:34:27,200 --> 00:34:28,133
>>IT'S YOUR FAULT THAT I HAVE HAD
790
00:34:28,267 --> 00:34:30,434
THAN LEAVE SPAIN AND FLEE.
791
00:34:30,901 --> 00:34:36,300
>>VERY GOOD. WHAT DID YOU DO TO HIM?
792
00:34:40,100 --> 00:34:42,968
HOW MUCH DO YOU KNOW ABOUT HER?
793
00:34:43,300 --> 00:34:44,334
>>I HAVE ALL THE INFORMATION ABOUT
794
00:34:44,567 --> 00:34:47,367
TERESA MENDOZA. I KNOW WHERE HE LIVES,
795
00:34:47,501 --> 00:34:52,100
WHAT IT DOES, AND WHO PROTECTS IT.
796
00:34:54,067 --> 00:34:56,667
>>I LIKE YOU, I LIKE YOU VERY MUCH
797
00:34:56,801 --> 00:35:00,367
GOOD.
798
00:35:01,167 --> 00:35:02,634
>>I DON'T KNOW A WESTERN WHO
799
00:35:02,767 --> 00:35:04,300
HAS SACRIFICED, YOU DON'T
800
00:35:04,434 --> 00:35:06,234
THEY BELIEVE IN HOLY WAR. THOSE
801
00:35:06,367 --> 00:35:08,234
EXPLOSIVES ARE NOT REAL.
802
00:35:08,367 --> 00:35:09,801
>>DO NOT CHALLENGE ME, TARIK, IF I ACT
803
00:35:09,934 --> 00:35:11,734
THIS BUTTON DOES NOT FIT YOU
TO RECOGNIZE
804
00:35:11,868 --> 00:35:13,734
NOT YOUR MOTHER.
805
00:35:14,167 --> 00:35:17,667
>>I'M GOING TO KILL HIM!
806
00:35:18,734 --> 00:35:20,400
>>NO!
807
00:35:20,534 --> 00:35:22,934
>>FATIMA! [Screams]
808
00:35:23,267 --> 00:35:24,534
>>FATIMA!
809
00:35:24,667 --> 00:35:27,734
[Shot]
810
00:35:27,868 --> 00:35:30,133
FATIMA!!!
811
00:35:30,267 --> 00:35:32,567
[Shots]
812
00:35:34,467 --> 00:35:36,467
[Shots]
813
00:35:38,434 --> 00:35:41,467
[Shots]
814
00:35:43,467 --> 00:35:48,167
[Gusts]
815
00:35:49,267 --> 00:35:56,267
[♪]
816
00:36:10,501 --> 00:36:12,834
>>MOHAMED, ANSWER ME.
817
00:36:13,133 --> 00:36:16,634
[♪]
818
00:36:18,501 --> 00:36:20,801
FATIMA!
819
00:36:21,133 --> 00:36:23,501
[gasps]
820
00:36:27,801 --> 00:36:29,901
>>MOHAMED.
821
00:36:30,033 --> 00:36:32,701
MOHAMED...
822
00:36:33,033 --> 00:36:38,100
[sobs]
823
00:36:43,634 --> 00:36:45,000
>>READY, OLEG, EVERYONE IS
824
00:36:45,133 --> 00:36:47,934
DEAD, JUST AS YOU REQUESTED.
825
00:36:48,334 --> 00:36:49,801
>>TERESA AND THE BOY?
826
00:36:49,934 --> 00:36:51,734
>>I'M SORRY OLEG, I ALREADY TOLD YOU.
827
00:36:52,334 --> 00:36:53,901
EVERYONE IS DEAD, JUST
828
00:36:54,033 --> 00:36:56,334
WE WERE ABLE TO SAVE THE BOSS.
829
00:36:56,634 --> 00:37:03,701
[♪]
830
00:37:04,601 --> 00:37:07,601
>> FORGIVE ME... FORGIVE ME.
831
00:37:08,701 --> 00:37:11,334
>>YOU FORGIVE ME. FORGIVE ME
832
00:37:11,467 --> 00:37:13,667
TO ME.
833
00:37:14,400 --> 00:37:18,167
[♪]
834
00:37:18,501 --> 00:37:25,501
[sobs]
835
00:37:35,467 --> 00:37:36,868
>>VASCO, GET HER OUT OF THERE BEFORE
836
00:37:37,000 --> 00:37:39,734
THE POLICE ARRIVED. CLEAN THE
837
00:37:39,868 --> 00:37:41,834
SITE. LISTEN...
838
00:37:41,968 --> 00:37:43,501
WHERE ARE WE GOING TO STAY?
839
00:37:44,300 --> 00:37:48,100
[sobs]
840
00:37:48,701 --> 00:37:52,200
[Car approaches]
841
00:37:53,601 --> 00:37:59,267
[♪]
842
00:38:00,667 --> 00:38:02,300
>>MRS. TERESA, WE HAVE TO
843
00:38:02,434 --> 00:38:03,567
LEAVE, WE HAVE TO LEAVE NOW,
844
00:38:03,701 --> 00:38:04,634
MRS.
845
00:38:04,767 --> 00:38:05,701
>>I DON'T WANT TO!
846
00:38:05,834 --> 00:38:06,801
>>THE POLICE IS COMING!
847
00:38:06,934 --> 00:38:09,334
>>NO! IT WAS MY FAULT! NO!
848
00:38:09,467 --> 00:38:11,033
NO! I DON'T MOVE FROM HERE
849
00:38:11,167 --> 00:38:13,934
GOD, WITHOUT THEM, LEAVE ME,
850
00:38:14,067 --> 00:38:17,567
LET ME GO! FATIMA, FORGIVE ME!
851
00:38:19,067 --> 00:38:26,067
[♪]